Getaway Car – Taylor Swift Piano Sheet Music
SCORE INFO
- Arrangement: BoogieMonster1O1
- Format: Digital sheet music
- Instrument: Piano sheet music
- Scoring: Piano solo
- Skill Level: Beginner
- Style: Electronic
- Key Signature: C major, A minor
- Time Signature: 4/4
- Metronome: 172
- Pages: 6
- Note Range: (updating)
- Measures: 157
- Copyright: (updating)
SHEET MUSIC & VIDEO TUTORIAL
SCORE INFO
- Arrangement: PurrznPeeps
- Format: Digital sheet music
- Instrument: Piano sheet music
- Scoring: Piano solo
- Skill Level: Intermediate
- Style: Electronic
- Key Signature: C major, A minor
- Time Signature: 4/4
- Metronome: 86
- Pages: 9
- Note Range: (updating)
- Measures: 84
- Copyright: (updating)
SHEET MUSIC & VIDEO TUTORIAL
Download Getaway Car – Taylor Swift Sheet Music File PDF for FREE
Short Produce About Getaway Car – Taylor Swift
“Getaway Car” is a track from Taylor Swift’s sixth studio album Reputation (2017), and it quickly became a fan favorite despite not being released as a single. Written by Taylor Swift and Jack Antonoff, the song combines sharp storytelling with a sleek synth-pop sound, creating a cinematic atmosphere that captures themes of escape, betrayal, and emotional turmoil.
Lyrically, the song uses the metaphor of a getaway car to depict a doomed relationship born out of chaos and destined to fall apart. Swift’s vivid imagery and clever wordplay make listeners feel as though they are inside the unfolding drama, racing through a whirlwind of passion and regret. The blend of emotional depth and infectious production showcases her strength as both a lyricist and performer.
“Getaway Car” has often been praised for its production style, echoing the sounds of the ’80s with layered synths and a pulsing beat that enhances its dramatic narrative. It remains a standout on Reputation, symbolizing Swift’s mastery of weaving personal stories into universal themes. Loved by fans and critics alike, the track is often cited as one of her best deep cuts and a highlight of her collaboration with Antonoff.
